Peterloo Poets

Poetry Publishers 1972 - 2009

We are sorry to announce the death of John Whitworth 11.12.1945 to 20.04.19
Many of you will know John was a well loved and respected member of the Peterloo Poets “family” in its day and was a staunch Peterloo Poets supporter over the years.

The funeral will take place at Barham Crematorium Chapel at 12:40pm on Wednesday 22nd May
Barham Crematorium (CT4 6QU) is 9.6 miles (a 20 minute drive) from Canterbury, using the A2 to Dover.
No flowers, please, but any donations would be appreciated, in John’s name, to: Pilgrim’s Hospice, 56 London Road, Canterbury, Kent, CT2 8JA or online at www.pilgrimshospices.org

 Following his editorship of the poetry magazine Phoenix (1958 - 1975), Harry Chambers founded Peterloo Poets in Manchester in 1972.
Peterloo’s first two full collections published in 1976 were Elma Mitchell’s The Poor Man in the Flesh and Edmond Leo Wright’s The Horwich Hennets. Peterloo Poets went on to publish 240 volumes of poetry.

To view the full Peterloo Poets Catalogue
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Trees in Sheep Country



Original Cover Price:



Poems by Anna Adams


Trees In Sheep Country is Ann Adams’ most substantial volume to date and contains the main body of the poems written at Horton-in-Ribblesdale, her home for thirty years. Three poems from this collection have been broadcast on Poetry Now (BBC Radio 3) and one in a BBC 2 television Closedown programme. Her last Peterloo collection, A Reply to Intercepted Mail (1979), now sadly unavailable, was ‘a verse letter to W.H. Auden’ and excited great critical interest.

Anna Adams has lived in London and South Manchester and now divides her time between Horton-in-Ribblesdale and Newcastle upon Tyne. She also writes essays which have appeared in The Guardian, The Countryman, Scottish Field, PN Review and elsewhere.

‘It is surprising that Anna Adams’s poetry is not better known, for her technique is masterly and her subjects fascinating … Immediacy and intelligence are Adams’s chief virtues … and her keen sense of humour should make her popular among many readers.’
Anne Stevenson


A Potted Geranium regards the Spring Wind

Trapped by one foot, I can lean towards the light,
 tilting solar panels to catch the rays.
 My round, sun-craving leaves press to the glass
 like prisoners’ faces, peering out at the free
 and dangerous world, where far hills undergo
 green flushes of the April change
 and, Icarus-like, the lapwings shriek and fall
 out of the racing clouds.
    Inside, it’s still and safe. Out there
 the horizontal washing must have lost
 its geotropic senses. Sheets all hang
 out sideways, kicking, and the nearby grass
 struggles in nightmare panic, seems to run
 though rooted. Pliant damson twigs
 are trying to shake off some obstinate
 and clinging blobs of whiteness. Cherry buds
 exude strange ectoplasms, bloodied leaves
 and an organic snow. This too
 cannot be shaken off, though branches thrash
 more strenuously than rook-wings, labouring
 to swim against the high spring-tides of air.
    The garden’s guardian, the rowan-tree,
 conducts a silent orchestra that plays
 passionate music that I strain to hear.
 My ringed leaves are all ears, yet I am def.
 Is it a celebration or lament?
 I know no cause for either. I am kept
 from marriages arranged by humblebees
 and funerals with raven-priests,
 and all the frantic dance of unfurled leaves
 and petals on low-bowing stems
 that reverence the passage of some king
 invisible to me.
                    All through the restless night
 the moon is polished for this festival
 and gusty skies shake stars onto the earth.
    How can I pass through the encasing glass,
 escape from stagnant paradise
 and join the changing crowd that lives and dies
 under the runaway chariot-wheels of the gale?


Price 7.95 per copy post free (5.30 post free to Associate Members)
Cover design: ‘Falling Leaves’ by Jean Francois Millet.
In the collection of The Corcoran Gallery of Art, William A. Clark Collection
Publication: AUTUMN 1986 (64 pages laminated paperback)